This blog is dedicated to the pursuit of everything jewelry and gems. As a jewelry designer with lots of connections to artisans and gem dealers in New York, I love to fill you in on the latest gem imports and ways to make pretty pieces.
I thought I'd devote this blog entry to my why my setter Pierre has lost his hair. Or so he says: by hand setting my tiny little and very soft glittery colored stones into hard metal castings that aren't ready made for the fast setting type that is the standard nowadays.
Let's first talk about how stones are set for commercial jewelry production. With most rings and other pieces nowadays being made in CAD, it is possible to cut holes into the model where the stones go, add the milgrain, as well as the beads that will be pushed over the gem. Even the "engraving" can be done in the CAD. Have a look at this CAD model.
This is a perfect example of the engraving and milgrain having been added before casting the model.
Here's an image of a CAD with beads (right side):
And here is a casting of a piece like this, one that I have previously used in my shop, before setting.
The resulting jewelry has a very even look with each bead being perfectly rounded. The setting labor for these rings is faster as well. The finished product will look something like this:
Good setters and jewelers will recognize immediately that this ring was prepared for easier setting in CAD. The CAD work itself is more expensive for a piece like this, but since most of these pieces are then mass produced it pays to save on labor, which can be less than half per stone, and can be performed by less qualified setters.
Finer jewelry is often hand set. For my pieces, Pierre had to build tools that would hold the tiny pieces without marring or bending the metal. If he sets a pear shape into a piece that has a round hole, he has to drill the hole differently. If the stone is a bit small, he doubles the milgrain. If it is a bit too large, he will add less milgrain. If there's an empty space created, he will fill it with a little engraving.
This is how my pieces look after casting and pre-polish. You can see these are totally blank slates. That means I have "give" when I select gems for these, and Pierre can accommodate different shapes.
The result is that each of my pieces looks a little different. Pierre tries to get inventive so that the result always looks good, though not usually identical to the previous piece. This 9 stone ring is a perfect example. The center can be round or square, between 2.8 and 3mm. The inner rounds should be 3mm (ish) and the outer closer to 2.5mm. Look at how smaller center and sidestones get more milgrain and beads.
I'm lucky to be working with Pierre, who's been in the business for over 40 years, having learned to set gems in his teens. He still loves what he does, and it shows. He finds my designs very challenging because no two items are ever the same. But he also says it gives him a break from the same "day in day out" setting that other people give him. Very few setters work with colored stones on a regular basis, and just about none do pave work with them. When I started showing up with my crazy ideas, I often got him very frustrated - stones too deep, too uneven, too "wonky", not at all like diamonds which are like eggs. But over time, both he and I learned how to tame the little beauties.
Here are a few more images of some of my favorite pieces:
On the final day of my Tanzania Trip, I had the most important and rewarding adventure of my entire trip: an excursion to one of the
"local" mines. I have to put the word "local" in quotation marks because, despite
being less than 80 miles away, it took 3 hours going and 3 hours going back.
98% of Africa's roads are unpaved, and for most of our trip we were on that
98%. We started early for my taste,
about 8 a.m., to avoid traffic. After a
30 minute ride through and out of town, past the local airport from which the
charter planes leave that take wealthier people to their safari
locations, we turned off the main road to go Northeast to the town of
Komolo.
A Typical "Vehicle" in Arusha
The road was relatively wide but, because of the dry weather, the dirt had been pressed into the ground in the form
of small waves, just like in the desert.
I was told that you either have to drive very quickly or very slowly to
cross these, otherwise it tears your vehicle apart. We drove fast. "Free massage," our friend Honorine said, who was rather
used to it. My lower back was
displeased. The noise from the road made conversation difficult, but this didn't
stop our guide Moustache from engaging in chatter with Honorine and Doreen, comparing
Tanzanian politics and culture to Rwanda and Tanzania in Swahili. Doreen and Moustache share Swahili as their
common language, Honorine normally speaks French or Kinyawanda, but her Swahili
appeared to be quite fluent as well. I
think this kind of exchange between cultures does not often take place because people have to have money to travel to other countries. Moustache, for instance, was born and
raised near Arusha, and had only been to Kenya. He belongs to the
tribe of the Masai, a largely independent living, very proud desert tribe, tall
and dark, who live mostly off herding goats and cows. Moustache himself was born in a small town but
made it to the larger city in his teenage years. I neglected to ask how, I should have. Moustache speaks English fairly well, despite
the fact that English was not required in most schools during his childhood - I
think the government made a big mistake there since Tanzania now mainly lives
off tourism and the international gem trade. Unemployment, due to poor
education and lack of language skills, is at just under 70%! People have to be very inventive to find things to do that pay, i.e. being guides and such.
Traffic Jam on the Way to the Mines
Moustache, who is my age (48), proved to be an exceptionally
kind person and guide. He sketched a very comprehensive picture for me of Masai culture: most Masai men have several wives, the more wives in fact,
the more prestige you have in your tribe. A dowry for a wife is several cows, and each gets her own house after marriage. But the wives work hard, they are the ones
that carry the heavy weights, walking behind their husbands, not in front. Their hair is shaved short, and the
traditional wives wear large earrings and necklaces. They do most of the work, with the exception,
for the most part, of herding the animals.
They do the field work, and they sit at the shops in the markets, like
the one in Komolo that I photographed.
The colors of the tribe are red, blue, and black, and they wear hand
woven cloth that is checkered almost like a Scottish pattern.
The Masai have their own language, just like all the tribes,
which Moustache speaks well. I don't
know how many tribes there are in Tanzania in general, because the government
does not promote tribalism. "It brings
unrest," they say, and this appears to be true.
Kenya, which does promote tribalism and has 42 individual tribes, has
experienced more killings between tribes than Tanzania. Not to speak of Rwanda,
where the Hutu's massacred the Tutsi for several months with such violence that
for a while, the US granted refugee status to the Tutsi (this is no longer the
case). One of the reasons for the tribalism is that the national
borders were not drawn by Africans. They
are the result of the colonialism of the 1700s to the early and mid 20th
Century. Therefore, many tribes are
separated by borders; the Masai exist both in Tanzania and Kenya. Other
tribes, by contrast, are forced to live together in one country, fighting with
each other for political power. The fact
that the national languages are mostly English and French turns out to be an
advantage in the following sense: there is no tribe who is granted the
superiority of being the ones whose language was chosen to be THE language
representing all the cultures. In this sense
at least, all tribes remain equal.
Moustache, incidentally, gave me a nickname - something that is very
common in their culture: Tausi. This
means Peacock in English. Not that I act like one, lol, but because I was always wearing extremely colorful leggings - something that's a bit of a signature style for me.
But let's get back to our adventure: after about 90 minutes of driving, we
reached the town of Komolo, from which we then branched off to a smaller
dust road to an even tinier town in the bush lands of Mwajanga. There was no oncoming traffic any more at
this point except for cows and a walking Masai here or there. This had the advantage that
we weren't constantly engulfed by clouds of dust getting kicked up by the
roads, requiring us to quickly close the windows and slow down until we could
see again. The down side was that the road was even more
up and down, including a couple of dangerous spots where, as Jochen told me
before, they got stuck in a ditch the previous year, taking an additional
hour away from their trip and occupying everyone with putting sticks and rocks
under the tires so they could move again. We got stuck only
once and after everyone exited the mini-van, the driver made it back out of the
ditch no problem.
Another half hour later we reached the little village of
Mwajanga. At first, I was told, the women
were hiding under the bed because a van with white people came. Many had seen few to no white people before,
and with near certainty, I will say that they had not seen a white woman. Very few women make it that far into the
bush, but I had a good guide so I was really not very concerned. The culture is
friendly, and we traveled during the daytime (it's obvious when you think about it, but it is VERY dark to drive in a dirt road at night without street lights). Anyway, after Moustache got out of the car and
started chatting with the locals about the mines, people started re-appearing. An
elder came by and greeted us. Doreen
looked at the dry beans that were being harvested and asked about prices. A few people came by and showed us goods -
bad stuff at first. A discussion ensued
about the blue capped tourmaline crystals Jochen had gotten there two years
ago, a fresh production that only he and one other dealer bought up. Those were no longer being found, they said.
Mwajanga Tanzania
But there was a new mine, or rather, a hole in the ground
where some mining took place a few years ago, and in which they now had
discovered chrome green tourmaline crystals.
Production had started again two months prior to our arrival, they said, and they offered for us to come see the mine. So we
piled back into the van and followed a guide on a motorcycle up the hill along
the various narrow roads that had been created by motorcycles and maybe a car
once a month to bring supplies up or down.
A couple of times, we had to turn around and choose a different path
because only the motorcycle could pass.
We got stuck one more time, but only briefly. The cloud of dust created by the motorcycle
got us dirtier and dirtier. During a
"bathroom break" in the bush I scratched my leg bloody. Luckily I
always carried two things, thanks to the smart advice of my friend Roberta, who had lived in Tanzania for a while: moist bathroom wipes and alcoholic
hand cleaner. I used both to clean my
wounds as we drove on. This was a moment
where I envied men for being able to relieve themselves in a much less
complicated way, especially when there
wasn't a single bush to hide behind. But luckily the
locals take natural processes in stride.
After all, only my skin color was different, my "behind" was the same. I'm not cut from that cloth, but I yielded to
my fate. Couldn't be changed anyway.
Finally, after yet another 30 minutes, we were told we had
arrived. About 20 yards away, there were
some blue tarp tents, very close to a white pile of rocks mostly consisting of
calcite. We got out of the car and
walked up to the small group of men sitting around a camp fire. It was
lunchtime and they were eating ugali with some cooked beans, eaten by hand according to custom. We got friendly stares, and Moustache chatted with them in the Masai language. They got up to show us the
hole and talked about the green
tourmaline. The town had been sponsored
by a local dealer who had brought a generator with a hose to bring air into the
mine. It was about 70 meters long, they
said (that's 210 feet), so air was needed at the far end of the shaft.
Their lighting consisted of flashlights fastened around their
heads, not the mining lamps we have. I was sad I hadn't brought my
headband with the reading lamp, they could have obviously used
it. Jochen in turn was sad that he
couldn't go into the mine. He hadn't
expected to find anything of interest, and so he wasn't wearing jeans and he
had left his hammer at the hotel.
Otherwise he would have climbed down.
I, in turn, was totally satisfied just looking down into the hole and taking some
video.
Moustache Shows us the Tourmalne Mine
Tourmaline Mine
Miners in Mwajanga
The Miners and I
The locals showed us a few pieces of rough they had gotten out of the
ground. It was the first strong green
tourmaline found in the area. Only a few
pieces are found at a time, most not facet grade, so it can take weeks to get
together a parcel. If it took that long
in the US to get gem grade materials, they would be priceless. I did hear after coming back to the US that some time in later September or early October, a larger pocket of material was found, and it got bought by Steve from New Era gems, who visited Komoro on his fall trip to Arusha.
I ended up buying two tiny but gemmy, facet grade pieces of rough for $10. After cutting,
they'll cost a lot more, and they'll be small, but it's not like I made a big
investment. I just wanted to buy
something. Most material was going into
the hands of whoever sponsored the mine anyway I presume, as that individual had paid for
it. It is known that the locals sell
some stuff on the side, and while that's not liked, it is generally
tolerated. Illegal mining, as it is
called, takes place everywhere, and as I see it, it is needed to support the
locals.
Here's a video I made of my trip:
Komolo Market
Locals in Mwajanga
/Komolo
For instance, in Loliondo, the rights to the mines that yield Spessartite (a Mandarin garnet) were acquired by an Arusha woman
nicknamed Mama Six-Finger ("Mama" means woman). "She does have six fingers on one hand," Jochen
said, who had met her some years ago. Initially, mining in Loliondo went well, but after a while, Mama Six-Finger's guards, who were protecting the
area from the local Masai who claimed ownership of the land, ended up in a
shoot out and some people were killed. As a
result, the government shut down mining, which is why the Loliondo Mandarin Garnets are now so rare. Mining still takes place
but only "illegally," that is, against government mandate. The Masai bring the gems to town and from
there they make their long way to places like my website.
In other, larger and more well known mines, the miners leave
pieces in agreed upon places inside the mine. At night, the Masai come in and
pick up the pieces, in order to sell them off at the local markets. In the end,
however it happens, most of the gems make their way to the same brokers and
dealers. It's just that the money is distributed in a different way.
It is difficult for a foreigner to comprehend this
system or the ethics of it. Save it to say that since
poverty and corruption are everywhere (and seem to go hand in hand), it is
difficult to pass judgment. Out of all
the people who have nothing, who should have food or drink? The ones who have something in these
countries, it is said again and again, did not earn it honestly, because that
is just about impossible. But are you
therefore to remain honest and poor?
Posho, the extra money collected by officials and others to speed up
custom's processes and the like, does not consist of huge sums by our standards - most would still fall under "gifts" in the USA because it is less than $20.
Anyway, I was in Tanzania to observe and to learn, not to judge. What I took away from the trip was that matters were considerably more complicated than what meets the eye. I would have had to spend a lot more time there to get a true sense of culture. So I came away with a much greater understanding, yet being intensely aware of how much more there is that I don't know.